Pelham One Two Three

The subway...lifeblood of New York. The largest mass transit system in the world, currently operating over 8,000 rail and subway cars, traveling on over two thousand miles of track, serving nearly eight million passengers daily. Seems like a logistical nightmare, keeping tabs on it all, but MTA (Metro Transit Authority) does, anticipating many problems before they arise. One thing they couldn't anticipate, what no one could have, is someone hijacking one of the trains. But it did happen, once (in movie world, at least).

The Taking of Pelham One Two Three (1974), directed by Joseph Sargent (Colossus: The Forbin Project, Jaws: The Revenge), presents a wonderfully talented cast including Walter Matthau, Robert Shaw, Martin Balsam, and Hector Elizondo. Also making appearances are Jerry Stiller (Seinfeld), Dick O'Neill (Gamera), Kenneth McMillian (Dune), and Doris Roberts (Everybody Loves Raymond). The film involves the hijacking of a New York subway train by a group of men armed with semi-automatic weapons for the purpose of extorting one million dollars from the city, otherwise they begin executing passengers, one by one. `What the hell they expect for their lousy 35 cents? To live forever?!"

This is really an entertaining, tense and witty film that kept me interested up until the very end. Matthau really owns this film, appearing as harried yet cool-headed Lt. Zachary Garber, an officer working for the Metro Authority, and main negotiator with the hijackers, lead by the ruthless Mr. Blue, played by Robert Shaw (it's said Quentin Tarantino got the idea of using colors for the names of his characters in Reservoir Dogs (1992) from this film). Garber really has to play a juggling act, trying to keep the hostages alive, placating the hijackers, and keeping the trigger-happy cops from starting World War III down in the subway tunnels. Robert Shaw does an excellent job playing tactical minded Mr. Blue, basically Garber's counterpart, leader of the hijackers, meticulously planning the entire operation as if it were a military action (we later find out he's a British mercenary `between wars'). He must keep not only the hostages calm and in line, but also his men, especially the psychotic Mr. Gray, played by Hector Elizondo, who seems to suffer from an extremely itchy trigger finger. He's also kinda sleazy...(doesn't it seem like there's always one psychotic in the group? I guess criminals are a highly unstable bunch). As I said, Matthau owns this film, but it certainly doesn't hurt that he had so many talented and highly professional actors supporting him throughout the movie. If The Taking of Pelham One Two Three has the feel of a superior made-for-TV movie about it, that's because one look at Joseph Sargent's credits will show a vast amount of TV work, including shows like Bonanza, Gunsmoke, The Man from U.N.C.L.E., and a ton of made-for-TV movies. He did venture into films a few times, most notably the 70's sci-fi film Colossus: The Forbin Project (1970) and White Lighting (1973), to name a few, but always seemed to return to TV. He's also responsible for one of the worst movies ever made (in my opinion) in Jaws: The Revenge (1987), which probably put a serious hurting on any future film directing offers. As I said, Pelham does play like a TV movie (except for the brief but realistic use of profanity), but a really, really good one. Even the musical score for the film has a TV theme quality about it, but that of a top-notch theme, one that serves to enhance the overall product. The plot is tight, and moves along pretty quickly. The movie also has a real authentic flavor, especially all the smart alecky comments made throughout, the kind one would expect from New Yorkers. I loved the initial reactions to the news of the subway train being hijack, the incredulity accompanied by complete annoyance that someone would have the nerve to screw around with the New York Subway system, much less hijack it (the scene where the one of the men in charge with keeping the trains moving decides he's going to walk down the tracks and see what's going on for himself is priceless, at least until he finds out it's for real). The plot covers a lot of ground, focusing on not only the passengers and hijackers, but also the transit authority cop, the regular cops, right up to the politicians, forced to weigh the decision and consequences of paying the ransom money or not (they do, and the scenes involving the authorities racing to meet the hijacker's deadline is gripping, with slight dashes of humor...the police racing in their car, sirens blaring, Officer O'Keefe: "I always wanted to do this. Look, we're scaring the sh#t out of everybody.", Officer Miskowsky: "Yeah, including me.") The big question posed, and one that's focused on throughout is, even if the hijackers get the money, how are they going to get away with it? They're in a train, underground, surrounded by police, with no visible escape routes. Seems like a tricky proposition, but given Mr. Blue's talent for meticulously covering all the details, I'm sure he's got a plan (don't ask me, just watch the film).

The quality of the wide screen non-anamorphic print on this DVD is pretty good, but not as good as I would have liked to have seen. There's a lack of sharpness in the picture, and the colors a kind of dull. The audio is also pretty good, and the dialog is clear. MGM stints on the special features, as usual, providing a theatrical trailer and an informative 4-page booklet insert. Basically what you have here is an exceptional crime film set in New York, one that rises above most others and doesn't disappoint. Oh, and that warning you always hear about not touching the third rail, as it's full of juice (electricity), and will fry you like a side of bacon? You would do well to heed it, as it's not an urban legend, my friend...